I'm not going to do much more than mark the passing of Willy DeVille. Our good pal Bill Holmes has said it just as good over at Dr Bristol's Prescription and I entreat you to go and read his words.
Suffice to say we salute Willy in the sure knowledge there's some fine Spanish strolling going down in heaven. Because it was the album nearest to hand I've been playing Le Chat Bleu and loving it all, especially the co-writes with Doc Pomus 'Just To Walk That Little Girl Home', 'That World Outside', and 'You Just Keep Holding On'. Magical and timeless.
Come to ELVIS: THAT’S THE WAY IT IS this Sunday 16 August at the Betsey Trotwood, Farringdon Road, London. It’s a special Elvis night to mark the 32nd anniversary of the death of The King. It’s 3 floors of Elvis; at 6.30 we are screening the live music documentary That’s the Way It Is in the upstairs room, in the basement there’s dancing to the Hillbilly Cat with Djs Jon the Boatman and Dan till 12, and in the bar you can hear more choice cuts of Elvis throughout the night. There will be Elvis food and drink too. No dodgy impersonators, no live music, just 100% solid gold Elvis all night long.
If you love Elvis already you’ve got to be there. If you don’t love Elvis you’ve REALLY got to be there!
Elvisly yours
ELVIS: THAT’S THE WAY IT IS SUNDAY 16 AUGUST 2009 6 PM - 12 PM Betsey Trotwood 56 Farringdon Rd, Clerkenwell, London, EC1R 3BL £4
People have been wondering about the line-up to accompany Roky Erickson at The Green Man Festival and at The Forum in London on the 20th August. I've just been in touch with Troy Campbell who's co-tour managing with Roky's son Jegar, and these are the guys
On Tuesday night I went along to hear Richie Unterberger talk about his new book on The Velvet Underground. He’s been doing a libraries tour of London and surrounds, which shouldn’t be that radical, but is something of a new departure in this country. It happens a lot in the States and he actually suggested it to Jawbone who were initially sceptical. As it was there were close to 100 people at Swiss Cottage Library on a damp night.
The book is White Light/White Heat The Velvet Underground Day-By-Day. It’s the story of the band told as a chronology. I haven’t read it yet but I dipped in to see if the show I went to in October 1971 is mentioned (it’s not though adjacent ones are). It’s over 350 pages and there’s lots to read and a load of splendid black and white photographs.
Richie didn’t read as such. He told stories, showed clips, and talked through a slide show of photos. Finishing up with a couple of clips from the Bataclan Cale/Reed/Nico show of 1972. A very worthwhile enterprise for which thanks are due to Jon Mills of Jawbone (and Shindig) and Camden Libraries.
The Fairport Convention show on Saturday was simply a joy to witness. With the exception of Dave Swarbrick it seemed everybody who could be was there. And despite a slight quibble over the sound, in that Richard Thompson’s guitar could have done with being a bit louder, particularly when Chris Leslie was playing fiddle, and my personal wish that they play Eric Andersen’s ‘Close The Door Lightly’ not being fulfilled, there was no cause to carp.
The show began with Judy Dyble, Richard Thompson, Ashley Hutchings, and Simon Nicol taking to the stage and, after a few words from Judy, beginning the proceedings with ‘Satisfied Mind’. Then Joe Boyd appeared and recounted seeing them in Soho playing an American song he didn’t know and being convinced he should manage them. This song was ‘Time Will Show The Wiser’ which, joined by Iain Matthews and Dave Mattacks, they proceeded to play. It proved a highlight even from a first half full of highlights.
This first half features songs from the first three records revisited, with a variety of guest vocalists taking the Sandy Denny role; Linde Nijland for ‘Fotheringay”, Kellie While for a fabulous ‘I’ll Keep It With Mine’, and Kamilla Thompson joining brother Teddy for ‘Who knows Where The Time Goes’. Teddy himself does an excellent job on ‘Genesis Hall’. Martin Carthy had been expected to sing ‘A Sailor’s Life’ but Norma Waterson’s ill-health prevented him appearing. Thus Kellie took the vocals on what turned out to be a pretty fine reading. This was though the moment where one did wish Thompson’s guitar was more prominent.
After the interval it was on to Liege And Lief and Full House. Singing duties now taken over by Christine While, Kellie’s mum. Fine versions of ‘Come All Ye” ‘Tam Lin’ ‘The Deserter’ and ‘Matty Groves’, then Christine’s exit followed by the arrival of Dave Pegg for ‘Walk Awhile’, ‘Doctor Of Physic’, Sir Patrick Spens’ and ‘Dirty Linen’.
That seemed to be it but in calling for an encore we knew there was at least one song that still needed to be heard. And in fact there were two, with almost all the company present and augmented by Linda Thompson, still in her raincoat. First the hit, as Simon Nicol explained it, ‘Si Tu Dois Partir’ and then inevitably, thankfully, ‘Meet On The Ledge’ in which Richard Thompson’s third verse induced a massive tingle down the personal, and I’d guess collective, spine.
Set List
Satisfied Mind Time Will Show The Wiser One Sure Thing Jack O'Diamonds Fotheringay Some Sweet Day I’ll Keep It With Mine Genesis Hall Autopsy Who Knows Where The Time Goes A Sailor's Life
- Interval -
Come All Ye Tam Lin The Deserter Medley Crazy Man Michael Matty Groves Walk Awhile Doctor Of Physic Sir Patrick Spens Dirty Linen
